Akio suzuki biography of rory
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Shanghai native 33EMYBW (Wu Shanmin) has been an active member in the Chinese music scene for over a decade. She has also performed at CTM and Sinotronics in Germany, China Drifting Festival in Switzerland, and SXSW. Her 2018 album Golem, released on SVBKVLT, was met with critical acclaim and voted one of the best electronic albums of 2018 by Bandcamp. In 2019 she released DONG2 EP under Merrie Records Beijing, and will premiere her sophomore album Arthropods (SVBKVLT) at Unsound 2019.
Aasma Tulika is an artist based in Delhi. Her practice locates technological infrastructures as sites to unpack how power embeds, affects, and moves narrative making processes. Her work engages with moments that disturb belief systems through assemblages of video, zines, interactive text, writings and sound. Aasma was a fellow at the Home Workspace Program 2019-20, Ashkal Alwan, her work has appeared in Restricted Fixations, Abr_circle, Khoj Art+Science program, HH Art Space. She is a member of the collective -out-of-line-, and collaboratively maintains a home server hosting an internet radio station. She is currently teaching at Ambedkar University Delhi.
A Hanley is an artist currently living on Wurundjeri Country in Melbourne, Australi
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The world's greatest print and online music magazine. Independent since 1982
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June 2013
Read this issue online here. Subscribe to the mag here
Babble On!
In a 20 page special, Wire contributors assess and rethink the relationship between underground music and words, text and language. Including Rob Young on songs about themselves, Ken Hollings on Cage’s pulverised language, Derek Walmsley on dread talk, Alasdair Roberts on verbal jousting, Daniel Spicer on hip semantics, David Toop on Improv words and gestures, Nina Power on female machine voices, Hua Hsu on vocalese, Marcus Boon on profane rappers, Rory Gibb on Footwork’s vocal science, and more
Invisible Jukebox Jaap Blonk
The Dutch vocal improvisor has a glossolalia attack over The Wire’s mystery record selection. Tested by Philip Clark.
Cross Platform Foghorn Requiem
In the North East of England, a trio of artists aim to harness the warning sounds of the maritime industry in an elegiac nautical soundwork. By Jennifer
Lucy Allan.
Global Ear Newcastle, NSW
The Australian city’s urban blight is spawning a hive
of underground music activity. By Cooper Bowman.
Bites • We’re sorry, that site go over currently experiencing technical difficulties.
London Posse’s Gangster Chronicle; Sachiko’s primal songs; Mississippi Records on tour; plus Unoffi
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