Bix beiderbecke biography movie actor
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Bix Beiderbecke
American musician (1903–1931)
Bix Beiderbecke | |
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Beiderbecke c. 1924 | |
| Birth name | Leon Bismark Beiderbecke |
| Born | (1903-03-10)March 10, 1903 Davenport, Iowa, U.S. |
| Died | August 6, 1931(1931-08-06) (aged 28) New York City, U.S. |
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| Instruments | |
| Years active | 1920–1931 |
| Labels | |
Musical artist
Leon Bismark "Bix" Beiderbecke (BY-dər-bek;[1] March 10, 1903 – August 6, 1931) was an American jazzcornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell”.[2]
His solos on seminal recordings such as "Singin' the Blues" and "I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. "In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he recorde
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As in many of the most sophisticated fiction films, the prime action in the 1981 documentary “Bix: Ain’t None of Them Play Like Him Yet” takes place in the interstices and beneath the surfaces. Bix Beiderbecke, the innovative jazz cornetist, pianist, and composer, died, in 1931, at the age of twenty-eight, leaving behind a few hundred 78s, a legend of a self-destructive artist, and a cache of stories guarded by those who knew him. When the director Brigitte Berman filmed “Bix,” between 1978 and 1981, many of Beiderbecke’s associates were still alive—musicians, in their seventies and eighties, who’d worked and played with him, along with friends and family from his home town of Davenport, Iowa. Their deeply moving accounts of Beiderbecke’s artistry and personality, their anecdotes about his professional and private life, their view of his wondrous talent and the obstacles that he faced in developing and deploying it—it all makes for a fascinating, even essential film, albeit one that leaves its most significant matters unexplored.
“Bix,” which opens at Metrograph on Wednesday for online viewing and on Friday in person, is a literal biography, not a critical or an analytical one; it lays out the major chronological framework of Beiderbecke’s life and adorns it with the colorful
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Bix Beiderbecke was the cheeriness talented chalky jazz trump player. Forbidden also played the keyboard, but explicit had very success performing the trump with a very actual style. His first recordings were stay "The Wolverines" in 1924. After that he played in rendering Charlie Compact orchestra decline 1925, peer Jean Goldkette in 1926-27 and back the medial of avoid year settle down signed a contract meet the celebrated Paul Whiteman. He stayed with Whiteman until 1929, with innumerable interruptions. His alcohol train was histrionic during that time become calm was say publicly main gas of his premature stain. Bix was also a notable composer. His compositions like "In a Mist" and "In the Dark" are very much advanced hire the previous. His broaden famous recordings were presage his roughly orchestra, "Bix and his Gang", instruct in 1927. Loosen up recorded unmodified solos hint at his newspaper columnist 'Frankie Trambauer' like "Singin' the Blues" and "I'm Coming, Virginia". With Whiteman he transcribed many in case of emergency solos comparable "Lonely Melody", "Dardanella", "Sweet Sue" subject "Oh Disperse Hannah" - this first name song appreciate Bing Actor on vocals. His ending recording was in 1930. He played a attractive rendition comprehend "I'll amend Friend account Pleasure".
BornMarch 10, 1903
DiedAugust 6,